a new society
| Unfinished photography project | Digital color photography | from 2016 |
What does it mean to be conscious?
Being awake: this definition involves the state of being awake, distinguish il from sleep or other states of unconsciousness.
Being aware of the world: In comparison to the first definition, this assume a more abstract value. It acknowledges that one can be awake yet still be unaware of the external aspects of the world.
Be aware of oneself as an 'actor' in the world: this level of consciousness relates to self-awareness, which is the awareness of oneself as distinct from others in the world.
In my images, the fetus is depicted as growing in the head rather than the belly, symbolising the absence of a gender-based separation in terms of reproduction. New knowledge is made accessible to everyone.
The new emerging individual transcends their previous limitations, ascending to a new plane of existence characterised by love, compassion and genuine understanding.
They do not react with negative emotions or harbour negative thoughts.
There is no division; only unity. They possess an innate understanding.
A new consciousness is born, capable of recognising its untapped potential and fostering the creation of a new society. This society aims for greater healthiness in relationships with oneself, others, nature, and the planet, all in pursuit of a more peaceful way of living.
However, it may be perceived as a utopian vision.
The project, titled A new society, is still a work in progress. So far, it has led to the creation of several elements, including the fetal mask and the child. The design and conception process has been long but fulfilling. Watching ideas come to life has been thrilling. Unfortunately, the journey was abruptly interrupted, leaving the project incomplete. However, I am determined to finish it because it represents much more to me than just an artistic endeavour.
The concept and design of the fetal mask and the child were born from my vision and brought to life thanks to the valuable collaboration of Samuele Sulas, a little-known artist whose unique style and deep symbolism greatly enriched the piece. Working on this project pushed me out of my comfort zone, challenging both myself and my creative approach. It was a personal and artistic challenge that led me to explore new themes, work with unfamiliar materials, and engage with new forms of expression.
It wasn’t easy, but it was transformative. This project has helped me grow, not only as an artist but also as a person, teaching me to dare, to collaborate, and to turn uncertainty into creative strength.
THE INDIVIDUAL
THE MOTHER
The character of the Mother is grotesque, beautiful, feminine.
She gives birth to a child she is unable to embrace. Her arms, incredibly long and almost unusable, make it difficult for her to move or use them. She watches the birth, unable to intervene, unable to hold or feel her child. Above the scene, the words "Get me out of here" appear, representing the desperate cry of the child, longing to be held and supported but left waiting for its mother.
The initial idea was to "find a way to represent the birth" by incorporating the child into the dress. This concept was first developed through a sketch on paper, followed by an ink drawing. The dress was entirely hand-sewn, and the model’s face was deliberately covered to ensure discretion and emphasize the emotional intensity of the scene.
THE CHILD
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The child is incorporated into the mother’s dress, symbolically trapped within the fabric of her being, unable to escape or find connection.
There is no clear separation between the child and the mother’s body; the child seems to emerge or be swallowed by the folds of the dress, as if struggling to find its place in the world. The child’s form is delicate yet contorted, as if its position within the dress is uncomfortable and unnatural. The gesture of waiting is amplified by its silent cry, "Get me out of here," a powerful expression of its longing to be held and cared for, but left in a state of limbo, unable to break free. The form of the child, though physically part of the mother, is emotionally distant, embodying the tension between desire and incapacity.
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